Gwen played a supporting role in Miles’ journey to becoming Spider-Man in “ Into the Spider-Verse.” “Across the Spider-Verse,” written by Phil Lord and Chris Miller and David Callaham, is a coming-of-age story for both teenage superheroes. Thompson, the sequel to the Academy Award-winning “ Into the Spider-Verse” is set more than a year after Gwen (voiced by Hailee Steinfeld) and her fellow dimensionally displaced Spideys made it back home after helping Miles ( Shameik Moore) save the multiverse. Directed by Joaquim Dos Santos, Kemp Powers and Justin K. “ Spider-Man: Across the Spider-Verse,” out Friday, offers a closer look at Gwen and her life back in her own world. The stunning animated sequel to the 2018 Oscar-winning ‘Into the Spider-Verse’ blends Abstract Expressionism, storybook illustrations, ballet and punk with a gleefully disruptive attitude. ![]() So, in theory, Spider-Man can appear on all video game platforms, but as of now, he's stuck with Sony.Movies Review: No sophomore slump for spectacular ‘Spider-Man: Across the Spider-Verse’ However, neither Sony nor Insomniac owns the character's rights in video game form, which belongs to Marvel. Given that Sony owns Insomniac, the game was an exclusive release for the Playstation 4. Until a few years ago, Activision held the exclusive rights to Spider-Man video games, but this became murkier when a few years ago, Insomniac Games announced a new Spider-Man video game. Given that this is one of Marvel's best and highest-selling properties, that is not likely to change any time soon. Marvel Comics still owns the rights to any Spider-Man comics and all publishing rights to the artwork, audiobooks, etc. As of right now, Sony Pictures and Marvel Studios both have a piece of the Spidey pie, with Sony getting all revenue from Spider-Man solo projects, while Marvel maintains creative control over the character, ensuring he (and she, if potential Spider-Woman rumors are to be believed) fit into the Marvel Cinematic Universe's overall narrative.ĭespite some bumps in the road (Disney/Marvel actually lost the rights to Spider-Man in 2019 briefly, after a dispute with Sony), the deal has worked out great for both sides. In 2018, we touched a little bit on this exact topic, at least when it comes to Spider-Man's film rights. Peter Parker not only fought off his Rogues Gallery of supervillains like the Green Goblin and Doctor Octopus, but he also dealt with problems that the reader did: He struggled to pay the bills, he grieved over the death of loved ones, and dealt with the fact that "with great power, comes great responsibility." Spider-Man was and continues to be a massive success for Marvel, with readers almost immediately falling in love with the character, with a lot of the success being owed to Lee's idea of making the hero a teenager. Lee turned to Ditko, and he would serve as the primary artist on Spider-Man, while Lee was the main editor and writer of the character. Still, the two didn't see eye to eye on things, with Lee once quoted as saying, "I hated the way he was doing it! Not that he did it badly-it just wasn't the character I wanted it was too heroic," he said in The Steve Ditko Reader. While coming up with the ideas for potential stories, Lee had originally approached his previous collaborator Kirby for help on the project. ![]() He also created a special web fluid that he could shoot from his wrists to stick to surfaces. Peter Parker, an average teenager from Queens, New York, was bitten by a radioactive spider, imbuing him with all the powers of a wall-crawling arachnid such as super strength, a spider-sense, superhuman reflexes, and speed. Taking influence from a pulp-fiction hero of the 1930s and 40s named The Spider, Lee began toying around with the idea of a superhero that had the powers of a spider. There had been a recent surge in comic book sales by teenagers and young adults, so Lee had the idea of creating a superhero that not only resonated with that audience but was also a part of it as well. The Fantastic Four was a huge success, and from there, Lee began thinking about what his next character should be. Fantastic, The Invisible Woman, The Human Torch, and The Thing. Lee and fellow artist Jack Kirby teamed up to create the Fantastic Four, who became known as 'Marvel's First Family,' comprised of Mr. Ditko would work closely with Lee throughout the decade, and despite achieving some success, it had become clear that Lee was not satisfied with the creative direction he was heading in.īy the early 1960s, thanks to the efforts of companies like DC Comics, Marvel's future rival, the superhero genre was becoming popular again after a fall off during the 1950s. The two men behind Spider-Man, Stan Lee and Steve Ditko began writing and illustrating for Atlas Comics (the precursor to Marvel Comics) in the 1950s, with Lee mainly writing for genres like Westerns and Science Fiction.
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